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Entries in Broadway (371)

Thursday
Aug032017

Call Redialed: Facetime Interview: Michael Feinstein: "Showstoppers" at Feinstein's/54 Below

Live from Feinstein's/54 Below, "Call Me Adam" brings the 11 o'clock number to this interview with Michael Feinstein, two-time Emmy & five-time Grammy nominee, about his upcoming concert Showstoppers at Feinstein's/54 Below!

It was great getting to catch-up with Michael, from learning why Michael initially wanted to purchase 54 Below to what he feels makes a song a "showstopper." We also clear the air about misconceptions & find out how Michael wants to improve his life by one percent better everyday!

Showstoppers will feature songs by iconic Broadway composers and lyricists such as Cole Porter, Richard Rodgers and Oscar Hammerstein, Stephen Sondheim, Marvin Hamlisch, and even some contemporary composers and lyricists of today as well as the backstories of each song. Joining Michael at some of his shows will be Broadway's Erich Bergen (August 12), John Lloyd Young (August 23-27), and Betty Buckley (August 29-September 3).

Showstoppers will play Feinstein's/54 Below (254 West 54th Street, between Broadway & 8th Avenue) from August 8-September 3. Click here for tickets!

For more on Michael be sure to visit https://www.michaelfeinstein.com and follow him on Facebook, Twitter, and Instagram!

For more on Feinstein's/54 Below visit https://54below.com and follow them on FacebookTwitterYouTube, & Instagram!

Call Me Adam's 11 o'clock interview with Michael Feinstein:

Michael Feinstein's preview of his concert Showstoppers:

More on Michael:

Two-time Emmy & five-time Grammy nominee Michael Feinstein is the Ambassador of the Great American Songbook. He has built a dazzling career over the last three decades bringing the music of the Great American Songbook to the world with recordings that have earned him five Grammy Award nominations, Emmy nominated PBS-TV specials, acclaimed NPR series, and concerts spanning the globe. His work as an educator and archivist define Feinstein as one of the most important musical forces of our time.

In 2007, he founded the Great American Songbook Foundation, dedicated to celebrating the art form and preserving it through educational programs, Master Classes, and the annual High School Songbook Academy. This summer intensive open to students from across the country has produced graduates who have gone on to record acclaimed albums and appear on television programs such as NBC’s America’s Got Talent. Michael serves on the Library of Congress’ National Recording Preservation Board, an organization dedicated to ensuring the survival, conservation and increased public availability of America’s sound recording heritage.

Michael earned his fifth Grammy Award nomination in 2009 for The Sinatra Project, his CD celebrating the music of "'Ol' Blue Eyes." The Sinatra Project, Volume II: The Good Life was released in 2011. He released the CDs The Power Of Two – collaborating with Glee and 30 Rock star Cheyenne Jackson – and Cheek To Cheek, recorded with Broadway legend Barbara Cook. For Feinstein’s CD We Dreamed These Days, he co-wrote the title song with Dr. Maya Angelou.

Michael Feinstein "The Sinatra Legacy"Michael FeinsteinHis Emmy Award-nominated TV special Michael Feinstein – The Sinatra Legacy, which was taped live at the Palladium in Carmel, IN, aired across the country in 2011. The PBS series Michael Feinstein’s American Songbook, the recipient of the ASCAP Deems-Taylor Television Broadcast Award, was broadcast for three seasons and is available on DVD. His most recent primetime PBS-TV Special, New Year’s Eve at The Rainbow Room – written and directed by Desperate Housewives creator Marc Cherry – aired in 2014. For his nationally syndicated public radio program Song Travels, Michael interviews and performs alongside of music luminaries such as Bette Midler, Neil Sedaka, Liza Minnelli, Rickie Lee Jones, David Hyde Pierce and more.

Michael was named Principal Pops Conductor for the Pasadena Symphony in 2012 and made his conducting debut in June 2013 to celebrated critical acclaim. Under Michael’s leadership, the Pasadena Pops has quickly become a premier orchestral presenter of the Great American Songbook with definitive performances of rare orchestrations and classic arrangements. He launched an additional Pops series at the Kravis Center for the Performing Arts in Palm Beach, Florida in 2014.

Michael’s book The Gershwins and Me – the Los Angeles Times best-seller from Simon & Schuster – features a new CD of Gershwin standards performed with Cyrus Chestnut at the piano.

Michael serves as Artistic Director of the Palladium Center for the Performing Arts, a $170 million, three-theatre venue in Carmel, Indiana, which opened in January 2011. The theater is home to diverse live programming and a museum for his rare memorabilia and manuscripts. Since 1999, he has served as Artistic Director for Carnegie Hall’s Standard Time with Michael Feinstein in conjunction with ASCAP. In 2010 he became the director of the Jazz and Popular Song Series at New York’s Jazz at Lincoln Center.

Michael FeinsteinLiza MinnelliFeinstein’s at the Nikko, Michael’s nightclub at San Francisco’s Nikko Hotel, has presented the top talents of pop and jazz since 2013. He debuted at Feinstein’s/54 Below, his new club in New York, late in 2015. His first venue in New York, Feinstein’s at the Regency, featured major entertainers such as Rosemary Clooney, Glen Campbell, Barbara Cook, Diahann Carroll, Jane Krakowski, Lea Michele, Cyndi Lauper, Jason Mraz and Alan Cumming from 1999 to 2012.

He has designed a new piano for Steinway called The First Ladies, inspired by the White House piano and signed by several former First Ladies. It was first played to commemorate the Ronald Regan centennial on February 6, 2011.

In 2013 Michael released Change Of Heart: The Songs of Andre Previn in collaboration with four time Oscar and eleven time Grammy Award-winning composer-conductor-pianist Andre Previn. The album celebrates Previn’s pop songs and motion picture classics. Earlier album highlights include Hopeless Romantics, a songbook of classics by Michael’s late friend Harry Warren, recording with legendary jazz pianist George Shearing. His album with songwriting icon Jimmy Webb, Only One Life – The Songs of Jimmy Webb, was named one of "10 Best CDs of the Year" by USA Today.

Michael received his fourth Grammy nomination for Michael Feinstein with the Israel Philharmonic Orchestra, his first recording with a symphony orchestra. The year before, Rhino/Elektra Music released The Michael Feinstein Anthology, a two-disc compilation spanning 1987 to 1996 and featuring old favorites and previously-unreleased tracks.

Michael was born and raised in Columbus, Ohio, where he started playing piano by ear as a 5-year-old. After graduating from high school, he moved to Los Angeles when he was 20. The widow of legendary concert pianist-actor Oscar Levant introduced him to Ira Gershwin in July 1977. Michael became Gershwin’s assistant for six years, which earned him access to numerous unpublished Gershwin songs, many of which he has since performed and recorded.

Gershwin’s influence provided a solid base upon which Michael evolved into a captivating performer, composer and arranger of his own original music. He also has become an unparalleled interpreter of music legends such as Irving Berlin, Jerome Kern, Johnny Mercer, Duke Ellington and Harry Warren. Feinstein has received three honorary doctorates.

Through his live performances, recordings, film and television appearances, and his songwriting (in collaboration with Alan and Marilyn Bergman, Lindy Robbins, Bob Merrill and Marshall Barer), Feinstein is an all-star force in American music.

Wednesday
Aug022017

Call Answered: Facetime interview with "Queen Lesli" Margherita: "Rule Your Kingdom" at Feinstein's/54 Below

Live from Feinstein's/54 Below, "Queen Lesli" Margherita & I have a slap-fest over the return of her signature cabaret show Rule Your Kingdom which will be presented August 24-26!

With her take-no-prisoners attitude and self-deprecating humor, Rule Your Kingdom "inspires," "uplifts," and "slaps you across the face" – and let’s be honest, everyone needs a good slap in the face every once in a while.

Rule Your Kingdom will play Feinstein's/54 Below (254 West 54th Street, between Broadway & 8th Avenue) from August 24-26. Click here for tickets!

For more on Lesli be sure to visit http://leslimargherita.com and follow her on Facebook, Twitter, YouTube, and Instagram!

For more on Feinstein's/54 Below visit https://54below.com and follow them on FacebookTwitterYouTube, & Instagram!

Call Me Adam & "Queen Lesli" Margherita's slap-fest interview:

Lesli Margherita's preview performance from Rule Your Kingdom:

More on Lesli:

An Olivier Award winner for her West End debut as Inez in ZORRO THE MUSICAL, Lesli made her Broadway debut originating the role of "Mrs. Wormwood" in MATILDA THE MUSICAL. After over 1000 performances, she bid farewell to the Broadway company of Matilda and crossed the street to The Helen Hayes to star as the diva "Mona Kent" in the Broadway premiere of Randy Skinner's DAMES AT SEA. In September 2016, Lesli returned to the role she originated to close out the Broadway run of MATILDA.

Last summer, Lesli created the award-winning role of "Signora Psyche Zinobia" in the NYMF production of A SCYTHE OF TIME (Outstanding Performance in a Leading Role). Later in the summer, she appeared as "Esmerelda" in a brand new production of THE HUNCHBACK OF NOTRE DAME at Sacramento Music Circus. Lesli also starred opposite Topher Grace, Taye Diggs & JC Chasez in the feature film Opening Night.

Born and raised in California, Lesli trained at UCLA and was soon after chosen to star in MGM's television series Fame LA directed by Kenny Ortega. She has gone on to star and recur on numerous television shows and pilots including Donny!, The Good Wife, Major Crimes, The Suite Life On Deck, Charmed, NYPD Blue,  and On The Lot, produced by Steven Spielberg.

Film credits include Lucky Stiff with Jason Alexander, Joel Schumacher's The Number 23, and the Sam Raimi produced Boogeyman 2. Lesli's voice can also be heard on several animated films and shows including Disney's Cinderella 3 and Nickelodeon's Sponge Bob Squarepants.

Regional stage credits include "Lilli/Kate" in KISS ME KATE (Reprise; Ovation Award - Best Actress), THE GRONHOLM METHOD (The Falcon; Ovation nom. - Best Ensemble), "Aldonza" in MAN OF LA MANCHA opposite Davis Gaines (MTW; Ovation nom. & LADCC nom - Best Actress), "Julie" in SHOWBOAT (Goodspeed Opera), "Audrey" in LITTLE SHOP OF HORRORS (La Mirada), "Lady of the Lake" in SPAMALOT opposite Gary Beach (Sacramento Music Circus), "Ilona" in SHE LOVES ME (CLOSBC), the West Coast Premiere of Michael John LaChiusa's SEE WHAT I WANNA SEE (Blank Theatre), Rated RSO (Boston Court), and "Gloria" in DAMN YANKEES (Reprise; dir. Jason Alexander).

In June 2015, Lesli published NECK PUNCH and CARRY ON: Advice from the "Queen", a series of 'inspirational' messages inspired from her Twitter feed (@QueenLesli). The book, which debuted at #1 on the Humor charts, is available exclusively on iBooks.

She is the creator/star of 'Looks Not Books' and 'Ship Happens' the popular backstage vlogs commissioned by Broadway.com which can also be seen on YouTube. Lesli's critically acclaimed solo shows ALL HAIL THE QUEEN​ and BROAD continue to play to crowds in NY, SF & LA.

Sunday
Jul302017

Call Answered: Facetime Interview: Carole Demas: "Grease", "The Magic Garden", + "The Broadhurst at 100!" at Feinstein's/54 Below

Carole DemasLive from Feinstein's/54 Below, "Call Me Adam" does the hand-jive with Carole Demas, Broadway's original "Sandy" in Grease. We get the inside scoop of what really went on inside the halls of "Rydell High" + a quick revisit to The Magic Garden, one of my favorite & most popular children's show in the 70s/80s.  

On Wednesday, August 16, at 7pm & 9:30pm Feinstein's/54 Below will be celebrating the centennial anniversary of The Broadhurst Theatre with The Broadhurst at 100! It's an evening of songs and stories, performed by the legends themselves who were lucky enough to grace the Broadhurst stage! Carole will be performing at the 7pm show! Click here for tickets!

For more on Carole be sure to visit http://caroledemas.com!

For more on Feinstein's/54 Below visit https://54below.com and follow them on FacebookTwitterYouTube, & Instagram!

Call Me Adam's interview with Carole Demas, Broadway's original "Sandy" in Grease:

Carole Demas performing "It's Raining On Prom Night/Look At Me, I'm Sandra Dee" from Feinstein's/54 Below's upcoming The Broadhurst at 100!:

More on Carole:

Carole Demas, Broadway & TV Legend, stole the hearts of audiences and critics alike with her captivating and critically acclaimed creation of "Sandy," in Broadway’s iconic, original GREASE. Her 56 year (and counting) career has included thousands of leading role performances On and Off-Broadway and in Regional Theatre, among them two years at New York’s Sullivan St. Playhouse as "Luisa" in THE FANTASTICKS and the creation of original ingénue leads in Fred Ebb’s MORNING SUN; RONDELAY (director Cyril Ritchard, choreographer Jacques d’Amboise); Oscar Brand’s HOW TO STEAL AN ELECTION (opposite Clifton Davis); Tom Jones & Harvey Schmidt’s PHILEMON and THE BONE ROOM as well as major regional theatres, including "Philia" (A FUNNY THING HAPPENED ON THE WAY TO THE FORUM); Regina (ANOTHER PART OF THE FOREST); Angel (CELEBRATION); "Wanda" (ENTER LAUGHING); "Corrie" (BAREFOOT IN THE PARK, with Joan Bennett) and her singing for the Champlain and NY Shakespeare Festivals for multiple seasons.

Carole originated the title role in the premiere production of Stephen Schwartz’s THE BAKER’S WIFE, in Los Angeles. She was back on Broadway in Broadway Cares - GYPSY OF THE YEAR celebrating Grease's 40th Anniversary at the New Amsterdam Theater. Carole played numerous guest star roles on classic prime time TV (including, KOJAK, MANNIX, ROUTE 66, BARNABY JONES, MAN FROM ATLANTIS, FANTASTIC JOURNEY (recently, BLUE BLOODS – CBS and ALLEGIANCE - NBC) and recurring roles on daytime dramas (EDGE OF NIGHT, ONE LIFE TO LIVE, AS THE WORLD TURNS). For the popular PBS Series GREAT PERFORMANCES, Carole joined other stars of the Great White Way for Lorimar’s SHOWSTOPPERS - THE BEST OF BROADWAY. In films, Carole starred in the 300 YEAR WEEKEND, with William Devane and THE SPACE WORKS for Trans-Lux Corp. Other films include appearances in: A LOVELY WAY TO DIE for Universal Films and the THE DISAPPOINTMENTS ROOM.

Carole Starred (with dear friend Paula Janis) in TV’s most successful regional children’s series, THE MAGIC GARDEN (for over 12 years) leading to hundreds of live family concerts and recent viral clips on Facebook. The Magic Garden’s enduring holiday special, A MAGIC GARDEN CHRISTMAS (Emmy Nominee) airs annually on WPIX-TV-New York and streams worldwide with new recent footage. THE MAGIC GARDEN DVD collection and CDs are available at www.caroleandpaula.com.

Carole's wonderful versatility has been seen on camera in principal roles in over 200 commercials for television (everything from Men’s Cologne to Peanut Butter and often singing the jingles as well), among them: Kodak, Promise Margarine, Lipton Tea, Puss ‘n Boots, Wonder Bread, M&M’s, Clairol, Timex, Lysol, AT&T, etc.

Her career trials and triumphs are highlighted in Schirmer, Citadel and Applause books chronicling the history of Broadway. Carole’s career began in her Junior Year at the U of VT, with the 1960 CHAMPLAIN SHAKESPEARE FESTIVAL and continued, from her days as Miss Vermont in The 1960 MISS UNIVERSE PAGEANT, her zany "singing chicken" voice in the LIDO SHOW (Stardust Hotel, Las Vegas), to major dramatic and comic roles in theatres coast to coast, and New York City concert and cabaret performances (BROADWAY ORIGINALS (Town Hall), OFF-BROADWAY CLOSE UP (Merkin Hall), 50th Anniversary celebrations for WBAI Radio, Lincoln Center Library, The Fantasticks. She is seen in NYC’s favorite cabaret venues (Feinsteins/54 Below, Birdland, The Metropolitan Room, Laurie Beechman Theater, New World Stages, Le Poisson Rouge, The Iridium, The Triad-Stage 72, Signature Theatre, Urban Stages, Concerts For City Greens, etc.). She sang for BROADWAY TO BARBADOS for two seasons and headlined on Crystal Cruise, Film and Theatre Cruise to French Polynesia. She is a recurring favorite star in The Ziegfeld Society Productions in New York City.

Her one-woman show in NYC and other locales (including The Caribbean Theatre, St. Croix) received rave reviews…"a powerhouse of musical theatre," "a vocal champion," "a consummate artist," her voice has been described as "shimmering and thrilling with great warmth, sweetness and surprising power." Her engaging, exciting cabaret and concert performances have brought funds and attention to many worthy causes. Carole is featured on the original cast albums of: GREASE, HOW TO STEAL AN ELECTION, GREEN SONGS and THE MAGIC GARDEN.

She is one of 50 Broadway Stars who sang in the Broadway For Orlando Initiative, on MAYA and MARTY (NBC), in concert in NYC’s Bryant Park and other events. She is a recurring favorite star in The Ziegfeld Society Productions. Carole was inducted into the Long Island Music Hall of Fame with her Magic Garden co-star, Paula Janis. She is a Governor Emeritus of the NY National Academy of Recording Arts and Sciences.

Wednesday
Jul262017

Call Redialed: Drew Brody: Curvy Widow at Westside Theatre NYC

Drew Brody, Photo Credit: Matthu PlacekThe year was 2009 when I was first introduced to singer/songwriter Drew Brody when he not only opened for singer/songwriter Jay Brannan, but Drew also co-produced Jay's album In Living Cover. I've been a fan ever since.

Over the past few years, the musical theatre world has been very lucky to have Drew's composing/writing. From Cutman: A Boxing Musical at Goodspeed Theatre to Derma at the Piccolo Spoleto, Drew's talents are finally arriving Off-Broadway with the new musical Curvy Widow, starring Tony nominee Nancy Opel. It's been a few years since Drew & I have spoken, so I thought now would be the perfect time to catch up with Drew. Much to my delight, Drew once again answered my call.

Curvy Widow is based on the true story of a sassy, witty, & feisty fifty-something widow whose adventures inspire laughter and, in the least expected places — reveal truths about life, love, and sex. From surviving hilarious first dates, to her intimate conquests, this widow navigates her way through it all with humor and perseverance. Featuring a brilliant cast of best friends, a dead husband, and a myriad of potential suitors — "Curvy" learns the hard way what it means to start life over in the modern age.

Curvy Widow plays at The Westside Theatre (407 West 43rd Street, between 9th & 10th Avenue). Click here for tickets!

For more on Drew be sure to visit http://www.drewbrody.com and follow him on Twitter and YouTube!

Cast of "Curvy Widow" in the George Street Playhouse production, Photo Credit: T Charles Erickson1. It's so great to catch up with you Drew! You are the composer/lyricist for the new Off-Broadway musical Curvy Widow. How did you come to be involved with this show? I was introduced to Bobby Goldman through our General Manager, Aaron Lustbader. I had just finished up Cutman and was looking for new projects and collaborators. He told me he had someone he wanted to meet who was looking for a composer on an original show. I met Bobby and she had an idea for a different show, not Curvy, and I agreed to write a song to see how well we could collaborate together. In order to prove to me that she could string a sentence together, she sent me the manuscript of the memoir version of Curvy Widow. I started reading it on a plane ride, and by the time I landed, the margins were full of notes, lyric ideas, scene ideas—it was so clearly a musical to me, it was jumping off the page. I sent her an email saying "You know this is a musical, right?" The response from her had too many expletives to print—who wants their life to be a musical? But when I went to play her the song I had written for the other project, I told her I had something else to show. It was an early version of the song that’s now called "Turn the Page." By the end of the song, she was in tears, and said "Ok, we’ll write the stupid show, you jerk."

2. What was your process in writing the music/lyrics for this show? The process changed at different stages of the show. At first, I really mined the memoir for lyric ideas and song inspiration. At this point in the process, the lyrics came first, and the song styles followed. As we came to know our show more, this process reversed, because I wanted to diversify the range of song styles and tempos. For example, we had a scene where Bobby visits several gynecologists in a row to try to address an issue. When we decided to turn it into a musical number, it was very clear that of course this needs to be a tango number, and the lyrics followed. Throughout I worked very closely with Bobby to make sure I stayed in her voice, and then later in the process with our director Peter Flynn and with Nancy Opel, who plays "Bobby" in the show, to make sure the music and lyrics were consistent in tone and comfortable and consistent with the character that we were developing.

Nancy Opel as "Curvy" in the George Street Playhouse production of "Curvy Widow', Photo Credit: T Charles EricksonNancy Opel as "Curvy" in the George Street Playhouse production of "Curvy Widow', Photo Credit: T Charles Erickson3. What was the hardest song to write and what was the most fun song to write? The hardest song to write was the opening number. I wrote about seven different opening numbers for this show, and then changed it completely between Asheville and New Jersey. I had to let go of a lot of exposition over time as we came to understand exactly what information we needed to get out in order to launch our show. I really struggled with how it should sound and we also struggled about whether or not the inciting incident for our show - "Jim’s" death - should happen in the opening or right after.

The most fun song to write was the song of "Bobby’s" first date after "Jim’s" death, "A New Hand." I was laughing out loud as I wrote it—"Bobby" has no idea how to be on a date because she had been with "Jim" since she was a senior in college. Her date’s not much slicker. It’s a scene/song that plays out so well between Nancy and Alan—they’re perfectly awkward and it’s everything I imagined when I wrote it and more.

4. Which character in the show is most like you? Which character were you glad not to be? I don’t think any of these characters are like me very much, although I relate to the journey.

5. Curvy Widow tells the story of a gutsy, recently widowed 50-something woman as she immerses herself in the modern dating scene who discovers the unexpected truths about love, life and sex. What do you feel most people will relate to about this show? I’ve been surprised at how much people relate to this show, even if they have very little in common with the main character. Any one who has experienced loss that causes them to start over again—whether that’s through death, divorce, breakup—can relate to the feeling of needing to look at everything through a new lens and say "Which part of this life is me and which part was us?"

Cast of "Curvy Widow" in the George Street Playhouse production, Photo Credit: T Charles EricksonAlan Muraoka and Nancy Opel in the George Street Playhouse production of "Curvy Widow', Photo Credit: T Charles Erickson6. Since the character of "Bobby" is a gutsy woman, what is the most gutsy thing you've done so far in your life or career? The gutsiest thing I’ve done in my career was the original decision to pursue music as a career. I came to New York with a scholarship to law school and my life was heading full speed down that track, and I decided to take a major left turn. I saw very clearly what that life would have been like and had no idea what a life in music was going to be, but it was and is my passion and I felt I needed to take the risk.

7. In composing this show, what did you learn about love, life, and sex? I learned that there’s a universal struggle between wanting to be with someone and wanting independence, and everyone needs to figure out for themselves where on that spectrum they’re most comfortable. Those desires can be different at different periods of life, but the question itself—where’s my balance between independence and wanting a partner?—is always there.

8. In this show, "Bobby" learns the hard way what it means to start life over in the modern age. Has there been a time in your life thus far where you felt you had to start life over? Coincidentally, I did go through a breakup a couple years ago, and I found myself going through many of the stages that our lead character goes through in the show, from reclaiming space through piecing together a new life. It felt completely like a new beginning, in all the ways that new beginnings are terrifying but also opportunities to create a new way of being, with new habits, new patterns, new relationships, and ultimately a new sense of who I am entirely.

9. On "Call Me Adam" I have a section called One Percent Better, where through my own fitness commitment, I try to encourage people to improve their own life by one percent every day. What is something in your life that you want to improve by one percent better every day? I’m trying to be less wasteful; it would be great to reduce that by one percent every day. My main effort in this department has been to cook more and more for myself.

Drew Brody, Photo Credit: Matthu PlacekMore on Drew:

Drew Brody tunes present a rare treat for singers. "A seemingly effortless and brilliant marriage of content, character, and music." Quote from Beth Malone, star of Fun Home, in an Out.com feature, July 28, 2016

Drew Brody is a New York City-based songwriter who brings his experience in the rock, pop, and folk music world to his musical theater sensibility. His unique background allows him to work comfortably across many genres, and his songs have been sung by Broadway stars including Alan Cumming, Nancy Opel, Beth Malone, Robert Cuccioli, Sally Mayes, Lilli Cooper, Justin Sargent, Adrienne Warren, and many more.

Drew wrote the music and lyrics for Curvy Widow, a new musical based on a memoir by Bobby Goldman, starring Nancy Opel and directed by Peter Flynn, which had its first commercial production at NC Stages in November 2016 and a second run at George Street Playhouse in New Jersey in May 2017, now it's running Off-Broadway in NYC at the Westside Theatre. He’s also written music for the comedy Oh, Hello, starring Nick Kroll and John Mulaney and directed by Alex Timbers, which opened on Broadway at the Lyceum Theater in October 2016. Additional credits include: music and lyrics for Cutman: A Boxing Musical, produced by Goodspeed Theaters in the spring of 2011; music and lyrics for Derma, which ran at the Piccolo Spoleto festival in 2013; music and lyrics for Wilshire, with a book by Bobby Goldman and a stage reading directed by Rob Ashford; music and lyrics for Mudge Boy, an adaptation of the Showtime movie, in collaboration with Brett Smock; and two other new musicals currently in development. Other theater credits include the underscoring music and lyrics for the play Lightning Field, which won Outstanding Play at FringeNYC in 2005.

Drew wrote and recorded two albums with Richard Rodgers award-winning composer Derek Gregor as the rock band M-LAB, with which Drew performed as lead singer and toured during the 2000s. Drew also released two solo albums on Baskethouse Records and co-produced two albums for songwriter Jay Brannan. Recently, Drew composed the score for the acclaimed film, Stephen Winter’s Jason and Shirley, which premiered at the MoMA and has been touring movie festivals, and released an EP, A Little Single, in collaboration with fellow singer-songwriter Lance Horne.

Tuesday
Jul252017

Call Redialed: Facetime Interview: Tovah Feldshuh: "Aging Is Optional" at Feinstein's/54 Below

Live from Feinstein's/54 Belolw, "Call Me Adam" sat down with four-time Tony nominee & two-time Emmy nominee Tovah Feldshuh about her upcoming show at Feinstein's/54 Below called Aging is Optional where we find out Tovah's secret to staying young & active, plus some life lessons! Tovah also clears the air on some misconceptions about her as well as how she would like to improve her life by one percent better everyday!

Aging Is Optional is an age-defying romp. Some people call them decades; Tovah calls them her collected works. It’s an hour of Juvederm for the soul, a booster for the heart and a probiotic of laughter!

Aging Is Optional will play Feinstein's/54 Below (254 West 54th Street, between Broadway & 8th Avenue) on August 1 & August 3 at 7pm! Click here for tickets!

For more on Tovah be sure to visit http://www.tovahfeldshuh.com and follow her on Facebook, Twitter, YouTube, and Instagram!

For more on Feinstein's/54 Below visit https://54below.com and follow them on FacebookTwitterYouTube, & Instagram!

"Call Me Adam" and Tovah Feldshuh interview live at Feinstein's/54 Below:

Tovah Feldshuh previews "When I Was A Boy" from her upcoming Feinstein's/54 Below show Aging is Optional:

More on Tovah:

For her work on the New York stage, from Yentl to Sarava!, and Lend Me A Tenor to Golda’s Balcony and Irena’s Vow, Tovah Feldhsuh has earned four Tony nominations for Best Actress and won four Drama Desk Awards, four Outer Critics Circle Awards, the Obie, the Theatre World Award, the Lucille Lortel Award, and the Helen Hayes Award for Best Actress. On October 3, 2004, Golda’s Balcony became the longest-running one-woman show in the history of Broadway, a record it still holds. Most recently, Tovah stopped the show as the trapeze-swinging "Berthe" in the Tony Award-winning Broadway revival of Pippin. As Jason Zinoman of The New York Times raved, "No one earns more laughs than the marvelous Tovah Feldshuh."

Tovah is currently starring as "Naomi Bunch" in the Golden Globe-winning hit, Crazy Ex-Girlfriend on the CW, where she can be seen singing the dignified showstopper: "Where’s the Bathroom!" From the bathroom in West Covina to the Oval Office in Washington D.C., she has also joined CBS’ new series Salvation as President of the United States "Pauline Mackenzie."